DC Comics: SOULPIERCER

Apr. 28th, 2026 09:00 pm
lumiosecity: (dc • pretty boy joey)
[personal profile] lumiosecity posting in [community profile] fanmix_monthly
Title: SOULPIERCER
Fandom: DC Comics
Characters/Pairings: Joey Wilson
Notes: Draws from a graceless hodgepodge of every piece of canon I've ever liked regarding Joey as a character. This mix deals with themes of suicidality and body dysmorphia. Tread with caution.


LISTEN ON YOUTUBE.


Track list, lyric selections, and commentary under the cut. )
toothpastepancake: (calebcutesy)
[personal profile] toothpastepancake
Hey all! I've been meaning to post more on here, but I have been asleep pretty much at all times. More on that below :')

Personal )


Fandom )

<3


Tuesday word: Avatar

Apr. 28th, 2026 03:18 pm
simplyn2deep: (Hawaii Five 0::Kono::red top)
[personal profile] simplyn2deep posting in [community profile] 1word1day
Tuesday, April 28, 2026

Avatar (noun)
avatar [av-uh-tahr, av-uh-tahr]


noun
1. Hinduism. the descent of a deity to the earth in an incarnate form or some manifest shape; the incarnation of a god.
2. an embodiment or personification, as of a principle, attitude, or view of life: Her complete loss of confidence was particularly unsettling, because generally she is the very avatar of hope.
3. Digital Technology. a static or moving image or other graphic representation that acts as a proxy for a person or is associated with a specific digital account or identity, as on the internet: My friend always chooses warriors as his video game avatars. | Now that spring's here I've switched my Instagram avatar from a stack of books to a robin's egg.
4. Also called avatar mouse,. Also called mouse avatar. a mouse that is implanted with cells or tissue freshly extracted from a human being, as to test drug therapies for an individual patient or to study a disease process: Researchers transplanted samples of the patient’s tumor into specially bred avatars.
5. (in science fiction) a hybrid creature, composed of human and alien DNA and remotely controlled by the mind of a genetically matched human being.

Related Words
apotheosis, archetype, epitome, exemplar, expression, personification, realization, symbol

See more synonyms on Thesaurus.com

Origin: First recorded in 1775–85; from Sanskrit avatāra “a passing down, descent,” from ava “down” + -tāra “a passing over” (akin to Latin trāns “across, beyond, through”; see also through ( def. ))

Example Sentences
The tool has a face and a name: Sky, an AI avatar that appears as a woman with short hair and a blazer in its first iteration.
From Barron's • Apr. 22, 2026

Kendi is an avatar for the battered and bruised fight for racial equality in this country.
From Slate • Apr. 13, 2026

A brainwave interface translating these signals into computer instructions then allowed her to convey which of these movements she wanted her mixed-reality avatar to dance in real-time.
From BBC • Apr. 10, 2026

The movie calls him the Lost Man, a bid for everyman philosophical relevance, and Ninomiya is indeed a sympathetic avatar.
From Los Angeles Times • Apr. 10, 2026

Aech’s avatar was a tall, broad-shouldered Caucasian male with dark hair and brown eyes.
From "Ready Player One: A Novel" by Ernest Cline
[syndicated profile] eff_feed

Posted by Rory Mir

If you want to overthrow Big Tech, you’ll need Section 230. The paradigm shift being built with the Open Social Web can put communities back in control of social media infrastructure, and finally end our dependency on enshitified corporate giants. But while these incumbents can overcome multimillion-dollar lawsuits, the small host revolution could be picked off one by one without the protections offered by 230.

The internet as we know it is built on Section 230, a law from the 90s that generally says internet users are legally responsible for their own speech — not the services hosting their speech. The purpose of 230 was to enable diverse forums for speech online, which defined the early internet. These scattered online communities have since been largely captured by a handful of multi-billion dollar companies that found profit in controlling your voice online. While critics are rightly concerned about this new corporate influence and surveillance, some look to diminishing Section 230 as the nuclear option to regain control. 

The thing is, that would be a huge gift to Big Tech, and detrimental to our best shot at actually undermining corporate and state control of speech online. 

Dethroning Big Tech

We’re fed up with legacy social media trapping us in walled gardens, where the world's biggest companies like Google and Meta call the shots. Our communities, and our voices, are being held hostage as billionaires’ platforms surveil, betray, and censor us. We’re not alone in this frustration, and fortunately, people are collaborating globally to build another way forward: the Open Social Web. 

This new infrastructure puts the public’s interest first by reclaiming the principles of interoperability and decentralization from the early internet. In short, it puts protocols over platforms and lets people own their connections with others. Whether you choose a Fediverse app like Mastodon or an ATmosphere app like Bluesky, your audience and community stay within reach. It’s a vision of social media akin to our lives offline: you decide who to be in touch with and how, and no central authority can threaten to snuff out those connections. It’s social media for humans, not advertisers and authoritarians.

Behind that vision is a beautiful mess of protocols bringing the open social media web to life. Each protocol is a unique language for applications, determining how and where messages are sent. While this means there is great variety to these projects, it also means everyone who spins up a server, develops an app, or otherwise hosts others’ speech has skin in the game when it comes to defending Section 230.

What exactly is Section 230?

Section 230 protects freedom of expression online by protecting US intermediaries that make the internet work. Passed in 1996 to preserve the new bubbling communities online, 230 enshrined important protections for free expression and the ability to block or filter speech you don’t want on your site. One portion is credited as the “26 words that created the internet”:

“No provider or user of an interactive computer service shall be treated as the publisher or speaker of any information provided by another information content provider.” 

In other words, this bipartisan law recognizes that speech online relies on intermediaries — services that deliver messages between users — and holding them potentially liable for any message they deliver would only stifle that speech. Intuitively, when harmful speech occurs, the speaker should be the one held accountable. The effect is that most civil suits against users and services based on others' speech can quickly be dismissed, avoiding the most expensive parts of civil litigation. 

Section 230 was never a license to host anything online, however. It does not protect companies that create illegal or harmful content. Nor does Section 230 protect companies from intellectual property claims

What Section 230 has enabled, however, is the freedom and flexibility for online communities to self-organize. Without the specter of one bad actor exposing the host(s) to serious legal threats, intermediaries can moderate how they see fit or even defer to volunteers within these communities.

Why the Open Social Web Needs Section 230

The superpower of decentralized systems like the Fediverse is the ability for thousands of small hosts to each shoulder some of the burdens of hosting. No single site can assert itself as a necessary intermediary for everyone; instead, all must collaborate to ensure messages reach the intended audience. The result is something superior to any one design or mandate. It is an ecosystem that is greater than the sum of its parts, resilient to disruptions, and free to experiment with different approaches to community governance.

The open social web’s kryptonite though, is the liability participants can face as intermediaries. The greater the potential liability, the more interference from powerful interests in the form of legal threats, more monetary costs, and less space for nuance in moderation. And in practice, participants may simply stop hosting to avoid those risks. The end result is only the biggest and most resourced options can survive.

This isn’t just about the hosts in the Open Social Web, like Mastodon instances or Bluesky PDSes. In the U.S., Section 230’s protections extend to internet users when they distribute another person’s speech. For example, Section 230 protects a user who forwards an email with a defamatory statement. On the open social web, that means when you pass along a message to others through sharing, boosting, and quoting, you’re not liable for the other user’s speech. The alternative would be a web where one misclick could open you up to a defamation lawsuit.

Section 230 also applies to the infrastructure stack, too, like Internet service providers, content delivery networks, domain, and hosting providers. Protections even extend to the new experimental infrastructures of decentralized mesh networks.

Beyond the existential risks to the feasibility of indie decentralized projects in the United States, weakening 230 protections would also make services worse. Being able to customize your social media experience from highly curated to totally laissez-faire in the open social web is only possible when the law allows space for private experiments in moderation approaches. The algorithmically driven firehose forced on users by antiquated social media giants is driven by the financial interests of advertisers, and would only be more tightly controlled in a post-230 world.

Defending 230

Laws aimed at changing 230 protections put decentralized projects like the open social web in a uniquely precarious position. That is why we urge lawmakers to take careful consideration of these impacts. It is also why the proponents and builders of a better web must be vigilant defenders of the legal tools that make their work possible. 

The open social web embodies what we are protecting with Section 230. It’s our best chance at building a truly democratic public interest internet, where communities are in control.

Prompt: #492 - Replace

Apr. 28th, 2026 03:40 pm
sweettartheart: Ink text on paper (100 words on paper)
[personal profile] sweettartheart posting in [community profile] 100words
This week's prompt is replace.

Your response should be exactly 100 words long. You do not have to include the prompt in your response -- it is meant as inspiration only.

Please use the tag "prompt: #492 - replace" with your response.

Please put your drabble under a cut tag if it contains potential triggers, mature or explicit content, or spoilers for media released in the last month.

If you would like a template for the header information you may use this:

Subject: Original - Title (or) Fandom - Title

Post:
Title:
Original
(or) Fandom:
Rating:
Notes:




If you are a member of AO3 there is a 100 Words Collection!

(no subject)

Apr. 28th, 2026 12:08 pm
greghousesgf: (pic#17096904)
[personal profile] greghousesgf
I've been trying not to think about it but every once in a while something will remind me about L.'s leaving.

Hey *waves*

Apr. 28th, 2026 07:31 pm
thispatternismine: (HZD - Heart)
[personal profile] thispatternismine posting in [community profile] addme_fandom

Name: The Pattern

Age group: 40s

Country: UK

Subscription/Access Policy: I don't really post anything personal, so everything is public. Can't rule out that I might lock the occasional post in future if I post something that falls in the narrow gap where it's not so private that I'm uncomfortable with sharing it but it's still too personal for me to be comfortable making it public. But that's it.

Main Fandoms: SVSSS, MDZS, cdramas, Devil May Cry (og since the PS2 days & I still suck lol)

Other Fandoms: My interest in ATLA has faded so I wouldn't say I'm exactly in the fandom anymore (though I am loving the live action & will probably have stuff to say when s2 drops), but I still have fanfic ideas for it that I'd like to work on, & I'm always down to rant about how much the comics suck.

Fannish Interests: I write fanfic, share my opinions on stuff, & like taking photos in videogames.

OTPs and Ships: wangxian (mdzs), moshang (svsss), bingqiu (svsss).

Favourite Movies: Casablanca, Knives Out, Ocean's 8, Dredd, Labyrinth

Cdramas: Love Between Fairy & Devil, Till the End of the Moon, The Starry Love, Reset, Blossoms in Adversity, Love Game in Eastern Fantasy, When Destiny Brings the Demon, How Dare You?!

TV Shows: Downton Abbey, Elementary, Red Dwarf

Books: Watership Down, MXTX, Discworld, Tortall books, The Martian

Music: I'm very picky but at the same time the stuff I do like is eclectic. Jrock, 80s & 90s music, citypop

Games: Devil May Cry, Powerwash Simulator, Stray, Everybody's Gone to the Rapture, Myst, Horizon Zero Dawn, Tearaway, Journey, Flower

I like to post about: Videogames I'm playing, cdramas I'm watching, some fandom stuff, my writing (fanfic, though I'd like to work on original stuff). Occasional life stuff, but I'm a private person who prefers to keep her online & offline lives separate so it's vague if I do post something.

Other Info: Controversial dealbreaker these days, but I am very much not comfortable with the word 'queer'. I'm bi & I resent it having been made an umbrella term & slung around casually as a cute marketing buzzword, & anyone who has any kind of objection gets shouted down. I have no objection if that's how you choose to identify, but if it's a major part of your vocabulary & is cropping up multiple times in every post, there's a decent chance we may not get along.

mxcatmoon: Ianto is a legend (Ianto Legend)
[personal profile] mxcatmoon posting in [community profile] fanmix_monthly
Title: Seasons of Ianto
Fandom: Torchwood
Characters/Pairings: Ianto Jones (Ianto/Jack)
Notes: A Ianto Jones fanmix, exploring his feelings about his relationship with Jack. Rock, Alt-Rock moodiness, and others. Ansty, love, and an implied happy ending.
This community has inspired me to re-create my Ianto playlist. The original version was no longer accessible, so I re-did it and put it on Spotify.

fanmix (9 of 1) 4b

Link: Spotify


Read more... )

multifandom icons.

Apr. 28th, 2026 08:18 pm
wickedgame: (Default)
[personal profile] wickedgame posting in [community profile] icons
Fandoms: Alias, Bed Friend, Derry Girls, Free!, Good Trouble, Heated Rivalry, Merlin, One Piece, Star Trek: Starfleet Academy, Star Trek: Strange New Worlds, The Last of Us, XO, Kitty

  
the rest are HERE[community profile] mundodefieras 

works in progress

Apr. 28th, 2026 09:45 am
runpunkrun: combat boot, pizza, camo pants = punk  (punk rock girl)
[personal profile] runpunkrun

In recent years, I've been on a mission where I pick a worthy WIP out of many volunteers and finish it. So far I've completed:

That covers my entire output of the last five years, with only one absolutely new fic posted during that time, the 15 sentence fake fake dating Star Trek fic Strange New Worlds, Etc. that I wrote for OTW's 15 year anniversary in 2022.

All of these WIPs were abandoned in various stages of doneness. I do this. Not on purpose, but I start a fic and get thousands of words into it and then either get anxious about it (writing can be a trigger for me, though it's gotten better through careful practice) or life gets in the way and I have to stop working on it and then get scared (anxious) to pick it back up again. But past!me's problems are a boon for present me who doesn't have to come up with ideas and has a bunch of notes for all these stories that can either be used or discarded. And because they've sat for a while, undisturbed, I'm able to work on them almost as if it's someone else's writing that I'm improving. I can kill the darlings that need killing and get on with it.

A Hundred Hundred Bolts of Satin was probably more like two stories when I opened it after a long period away from it. The opening part and the rest of it. I had to stitch the two together, and the opening section was just murdering me before I finally, after a lot of work, figured out which parts were important.

stop. motion. was done and betaed, but Joe Flanigan had gotten a divorce (sorry, Joe) while it was sitting on my hard drive and I wanted to work that in, which changed the tone—and purpose—of the story significantly.

New Year Market was done and had even been through two betas. I had some sentences that were annoying me, so I fixed them, and I am as shocked as you are that it took me less than a month to do that.

Condition Zebra was a complete draft, but I'd finished it in 2013 and never looked at it again. (I wrote it and then Emily died, and these two things were not related, but also were.) It needed a lot of polishing, and I had made Rodney too emotionally mature. So I made Rodney a little messy and John, in a move that surprised me, responded by becoming more emotionally mature. It seemed he'd grown up, too, in the twelve years since I'd written it.

Maybe He's Born With It (Maybe It's GlaxosEpsilonYor) was not as done as I thought it was. Instead of being nearly complete, it was only a couple of paragraphs in the file and then several pages of handwritten story. I transfered the handwritten part to the screen, editing all the while, and then did a bunch of writing to finish it and then lots and lots of revising to get Jim's voice right. This was him after the first movie, still a selfish frat bro, but with the capacity to learn from his mistakes, and I didn't want to quash his worst instincts, but it was hard for me to just let him be the (almost) worst version of himself. I had to keep removing the guardrails I built around him. And his literal voice needed to be way more casual. I got there in the end, though, and in the process learned that this Jim didn't like hedging language, no "just" or "almost" or "kind of"; everything's flat out with him, no room for doubt.

The Feast of St. Olaf (my 60th SGA fanwork!!) was basically a complete story when I opened it up in February. It had all the important parts—a title and a last line; there was just some empty space between a joke (which I did not...get? despite having written it??) and the last sentence. So I erased the joke and just started writing from there. I began this fic for the "blades" square on my [community profile] kink_bingo card in 2011, but as I wrote toward the last sentence I had, using it as a guide, the focus of the story changed. It was no longer just about Ronon being good with knives; it became about loss and memory, a much deeper story. So I reworked the rest of it to match, and in the process the knives were no longer what the Kink Bingo mods refer to as the erotic focus of the story, and I didn't feel like I could add this fic to the Kink Bingo collection. (Sadly, because I adore posting G-rated kinkfic to the chat.)

Many of these WIPs went through similar changes as I finished them. Maybe He's Born With It came from a much lighter idea, less loss, more eye shadow. And stop. motion. lacked an emotional core before I worked Joe's divorce into it. So having these stories sit for a bit between their initial drafting and being completed benefited us both, in many ways. Though I'd honestly prefer if I could finish a story in less than ten years, it also lets me see how much I've grown as a writer, even in the last few years.

Next up is my Star Trek RPF from 2016, an extended version of my little Saturday Morning ficlet. As I recall it's completely finished, though the last scene needs some tweaking as I've never been happy with it. It has a title, but I've never been happy with that, either, and I've got a new one that should work. And of course, anything I haven't seen in ten years is going to need a polish as my writing sensibilities have changed somewhat in those years. I've been putting this one off because it's RPF from 2016, set in 2016, and stuff has changed! And I'm worried about it!! But it's not going to get any younger, and as I keep repeating to myself, it was the canon we had at the time. It's not like I could write it any differently today. Though I guess we'll have a chance to see.

[syndicated profile] eff_feed

Posted by Joe Mullin

Lawmakers in Congress are moving quickly on the GUARD Act, an age-gating bill restricting minors’ access to a wide range of online tools, with a key vote expected this week. The proposal is framed as a response to alarming cases involving “AI companions” and vulnerable young users. But the text of the bill goes much further, and could require age gates even for search engines that use AI. 

TAKE ACTION

Tell Congress: oppose the guard act

If enacted, the GUARD Act won’t just target a narrow category of risky chatbots. It would require companies to verify the age of every user — then block anyone under 18 from interacting with a huge range of online systems. It would block minors from everyday online tools, undermine parental guidance, and force adults to sacrifice their privacy. In the process, it would require services to implement speech-restricting and privacy-invasive age-verification systems for everyone—not just kids. 

Under the GUARD Act’s broad definitions, a high school student could be barred from asking homework help tools questions about algebra problems. A teenager trying to return a product could be kicked out of a standard customer-service chat. 

The concerns behind this bill are serious. There have been troubling reports of AI systems engaging in harmful interactions with young users, including cases involving self-harm. Those risks deserve attention. But they call for targeted solutions, like better safeguards and enforcement against bad actors, not sweeping restrictions. The bill’s sponsors say they’re targeting worst-case scenarios — but the bill regulates everyday use. 

The GUARD Act’s Broad Definitions Reach Everyday Tools

The problem starts with how the bill defines an “AI chatbot.” It covers any system that generates responses that aren’t fully pre-written by the developer or operator. Such a broad definition sweeps in the basic functionality of all AI-powered tools. 

Then there’s the definition of an “AI companion,” which minors are banned from using entirely. An AI companion is any chatbot that produces human-like responses and is designed to “encourage or facilitate” interpersonal or emotional interaction. That may sound aimed at simulated “friends” or therapy chatbots. But in practice, it’s much fuzzier. 

Modern chatbots are designed to be conversational and helpful. A homework helper might say “good question” before walking a student through a problem. A customer service chatbot may respond empathetically to a complaint (“I’m sorry you’re having this problem.”) A general-purpose assistant might ask follow-up questions. All of these could be seen as facilitating “interpersonal” interaction — and triggering the GUARD Act. 

Faced with steep penalties and unclear boundaries, companies are unlikely to take chances on letting young people use their online tools. They’ll block minors entirely or strip their tools down to something less useful for everyone. The result isn’t a narrow safeguard—it’s a broad restriction on everyday online interactions.

Homework Question? Show ID And Call Your Parents

Start with a student getting help with homework. Under the GUARD Act, the service must verify the user’s age using more than a simple checkbox—it must rely on a “reasonable age verification” measure, which could require a government ID or a third-party age-checking system. If the system decides a user is under 18, the company must decide if its tool qualifies as an “AI Companion.” If there’s any risk it does, the safest move is to block access entirely. 

The same logic applies to everyday customer service. A teenager trying to fix an order issue gets routed to a chatbot, and the company faces a choice: build a full age-verification system for a routine interaction, or restrict access to avoid liability. Many will choose the latter.

This isn’t a narrow restriction aimed at a few risky products. It’s a compliance regime that pushes companies to block or limit any product that generates text for minors, across the board. 

ID Checks for Everyone

The GUARD Act doesn’t just affect minors. The bill takes a big step towards an internet that only works when users are willing to upload a valid ID or comply with other invasive age-verification schemes. Companies must verify the age of every user—not through a simple self-declaration, but through a “reasonable age verification” system tied to the individual. 

In practice, that means collecting sensitive personal information: government IDs, financial data, or biometric identifiers. Companies can outsource verification, but they remain legally responsible. And the law requires ongoing verification, so this isn’t a one-time check. Worse, studies consistently show that millions of people have outdated information on their IDs, such as an old address, or do not have government ID. Should services require ID, many folks without current or any ID will be shut out. 

And for those who do have compliant ID, turning over this information repeatedly creates obvious risks. Databases of sensitive identity information become targets for breaches. Anonymous or pseudonymous use of online tools becomes harder or impossible. 

To keep minors away from certain chatbots, the GUARD Act would require everyone to prove who they are just to use basic online tools. That’s a steep tradeoff. And it doesn’t actually address the specific harms the bill is supposed to solve.

Vague Definitions, Huge Penalties

The GUARD Act’s broad scope is enforced with steep penalties. Companies can face fines of up to $100,000 per violation, enforced by federal and state officials. At the same time, key terms like “AI companion” rely on vague concepts such as “emotional interaction.” That combination will lead to overblocking. Faced with legal uncertainty and serious liability, companies won’t parse small distinctions. They’ll restrict access, limit features, or block minors entirely.

That is the unfortunate result of the GUARD Act, even though the concerns animating it are worthy of fixing. But the GUARD Act’s broad terms will apply far beyond the concerning scenarios. 

In the end, that means a more restricted and more surveilled internet. Teenagers would lose access to tools they rely on for school and everyday tasks. Everyone else faces new barriers, including ID checks. Smaller developers, who aren’t able to absorb compliance costs and legal risk, would be pushed out, leaving the largest companies even more dominant. 

Young people — and all people — deserve protection from genuinely harmful products. But this bill doesn’t do that. It trades away privacy, access, and useful technology in exchange for a blunt system that misses the mark. 

Congress could act soon. Tell them to reject the GUARD Act. 

TAKE ACTION

Tell Congress: say no to mandatory online id checks

fanvid recs - Wiseguy

Apr. 28th, 2026 09:58 am
aurumcalendula: Vinnie and Sonny from Wiseguy and the text 'oh how I love you' (nights in white satin)
[personal profile] aurumcalendula
Since I've recently fallen into Wiseguy, I figured I'd start there with my fanvid recs:

Nights in White Satin by Lynn C and Tashery S (1993)

(You Don't Have To) Play Me Backwards by Gayle F & [personal profile] morgandawn (1997)

Only the Good Die Young by [personal profile] killabeez & Merricat (2001)

Take Me Out by [personal profile] barkley & [personal profile] destina (2006)


(inspired by [personal profile] colls' post in [community profile] vid_bingo, I'm going to make an effort to post vid-related stuff over the next few weeks)

more NCIS: Hawai'i

Apr. 28th, 2026 08:23 am
aurumcalendula: image of Sonja Percy and Tammy Gregorio from NCIS New Orleans (Percy and Gregorio)
[personal profile] aurumcalendula
I'm kinda annoyed that NCIS: Hawai'i only has season 1 on Blu-Ray (season 2 and 3 are only available on DVD for some reason).

I'm almost halfway through season three as of the other day. Unfortunately, I'm not invested in Sam's subplot and I'm annoyed that a bunch of recurring characters aren't going to get any screentime this season, going by imdb (Jane's daughter Julie, Jane's ex-husband Daniel, Jane's love interest Joe, Kai's father Wally, and Kai's friend Hina) and that Jane's son Alex only gets one scene this season.

I have  a vague idea for a couple vids, but haven't gotten very far in brainstorming songs for them yet. I might end up making icons for it at some point too.

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