Three Weeks for Dreamwidth: Painting

Apr. 29th, 2026 01:30 am
ysabetwordsmith: Text -- three weeks for dreamwidth, in pink (three weeks for dreamwidth)
[personal profile] ysabetwordsmith
This year during Three Weeks for Dreamwidth, I'm writing about reading as a way of becoming an expert in a given subject. Read Part 1: Introduction to Becoming an Expert, Part 2: Architecture, Part 3: Dance, Part 4: Music.


Three Weeks for Dreamwidth Part 5: Painting

Painting is a visual art based on meaningful marks. I'll include both drawing and painting here, as they use some of the same materials to similar ends. Popular media include acrylic paint, charcoals, colored pencils, ink, oil paint, and watercolor. It's really a spectrum because some media can be used for both, like watercolor pencils or ink. All known human cultures make art, hence the huge range of drawing and painting styles. Here on Dreamwidth, check out [community profile] art, [community profile] drawesome, [community profile] everykindofcraft, or [community profile] justcreate. See also lists of Drawing and Graphics communities for more ideas.


Three Weeks for Dreamwidth April 25-May 15

Read more... )
vriddy: Wind Breaker Endou with his hands like in prayer, crying (grateful)
[personal profile] vriddy
*screams into cushion* I love this story so much

It feels so good to step into this world again and spend time with the characters. I think it's one of the most original settings I've ever created and I'm enjoying it so much. I'm describing places and thinking, "I want to visit there too!!!" Later, I know I'll be describing a haunting location where many people die and I won't want to visit, but! It's still a cool building that I'd like to see from afar!! This is such a good time.

I think it also feels good to simply be writing words again. I have a bunch of stuff to rewrite, missing scenes, and so on. Stepping into a character's mind and experiencing the world from their perspective feels so nice. I spent most of March planning these revisions, and most of April finishing up the editing and proofreading of the Cursed Witch. (We do not talk about how far behind I am on my GYWO pledge 😨) It's just nice to putter around with words again! And thanks to all the planning I did last month, it feels like informed and useful changes rather than the kind of editing where I sputter about, unsure if my changes really improve anything or might not be making things worse actually. Of course, I could be lying to myself about that, but that's okay! I'm still embracing the good feels :D

Cuddle Party

Apr. 29th, 2026 01:13 am
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Everyone needs contact comfort sometimes. Not everyone has ample opportunities for this in facetime. So here is a chance for a cuddle party in cyberspace. Virtual cuddling can help people feel better.

We have a cuddle room that comes with fort cushions, fort frames, sheets for draping, and a weighted blanket. A nest full of colorful egg pillows sits in one corner. There is a basket of grooming brushes, hairbrushes, and styling combs. A bin holds textured pillows. There is a big basket of craft supplies along with art markers, coloring pages, and blank paper. The kitchen has a popcorn machine. Labels are available to mark dietary needs, recipe ingredients, and level of spiciness. Here is the bathroom, open to everyone. There is a lawn tent and an outdoor hot tub. Bathers should post a sign for nude or clothed activity. Come snuggle up!

Poem: "Always Guided by Passion"

Apr. 28th, 2026 11:29 pm
ysabetwordsmith: Damask smiling over their shoulder (polychrome)
[personal profile] ysabetwordsmith
This poem came out of the January 6, 2026 Poetry Fishbowl. It was inspired by a prompt from [personal profile] see_also_friend. It also fills "The End of the World" square in my 1-1-26 card for the Public Domain Day Bingo fest. This poem has been sponsored by a pool with [personal profile] fuzzyred. It belongs to the Shiv thread of the Polychrome Heroics series. It follows "Cause a Riot of Color."

Read more... )
ysabetwordsmith: Damask smiling over their shoulder (polychrome)
[personal profile] ysabetwordsmith
Based on the general fund poll, "No Faster or Firmer Friendships" has 10 new verses. Josué reads a funny poem to Maria-Vera.

Poem: "The Doom Puff"

Apr. 28th, 2026 10:34 pm
ysabetwordsmith: (monster house)
[personal profile] ysabetwordsmith
This poem came out of the April 7, 2026 Poetry Fishbowl. It was inspired by a prompt from [personal profile] nsfwords. It has been sponsored by the general fund poll. This poem belongs to the series Monster House.

Warning: Do not read with mouth full.

Read more... )

Last night took it out of me

Apr. 28th, 2026 11:01 pm
cornerofmadness: (Default)
[personal profile] cornerofmadness
Just as I was getting ready to go to bed at 130 AM the storm did something that scared me. You know how your lights flicker off and on because the power lines are galloping? It did it for about three minutes before failing. I was afraid something might have overloaded and caught fire (it didn't). Now it's too hot to sleep but raining too hard to open a window and my blood sugar is being stupid so I have to pee 4 times between bed time and 6 AM when the power finally turns on.

I said today can you believe it was the last week of class and several said 'thank god.' I know the feeling but on the other hand it stings.

my Indian cowoker brought in a curried egg dish and coconut rice filled with cardamon and cinnamon and so I had to have elevensies. I don't make the rules.

I came home to one story rejection but also one story accepted so I'm taking that as a win.


I'm too exhausted to think of anything for Tuesday's fannish 50. I am looking for thoughts, thinking of doing yet another con panel at a pop culture. I was thinking about the history of women writing horror. Would that be interesting? Maybe link it up with women mangaka/animators because surely there have to be some.

Here we go (again!)

Apr. 28th, 2026 10:40 pm
midnight_heavenly_bodies: (george002)
[personal profile] midnight_heavenly_bodies posting in [community profile] addme_fandom
Name: C.K. or Chester
Age group: mid-to-late 30s -- 36 specifically.
Country: USA
Subscription/Access Policy: 18+ only. No Harry Potter fans. No antis. No Chappell Roan stans (I see how y'all are treating my man and I don't like it.)  For a more in-depth 'about me', follow this link.

Main Fandoms: Culture Club (the greatest band of the '80s! I write fic for them and sometimes cross-post deep dives from my website on them.)
Other Fandoms: Linkin Park, WWE, Smoky Mountain Wrestling
Fannish Interests: Fanfiction mostly, and doing deep dives on my many OCs.
OTPs and Ships: Culture Club: Boy George/Jon Moss, Roy Hay/Mikey Craig; Linkin Park: Bennoda [Chester Bennington/Mike Shinoda]; Wrestling: Hartbreak (Bret Hart/Shawn Michaels), Shawnter (Shawn Michaels/Hunter Hearst-Helmsley), Candy (Cody Rhodes/Randy Orton); and then I have a lot of ships in my fandoms involving OCs. 

Favourite Movies: The Room (lol), Pretty in Pink, Borat, Major League, man there's so many and I can't think of all of them.
TV Shows: I actually don't watch TV.
Books: Broken Harts: The Life and Death of Owen Hart by Martha Hart
Music: I listen to a lot of '80s. My faves are Culture Club (and yes, that means I like Boy George's solo work too), a-ha, Depeche Mode, Yazoo, Information Society, New Order, The Cure, A Flock of Seagulls, Real Life, Johnny Hates Jazz, Mr. Mister, Oingo Boingo. Then outside of '80s music I like Massive Ego, $uicideboy$, Linkin Park, and Fort Minor.
Games: Sonic the Hedgehog (1, 2, 3), Sonic & Knuckles, Sonic 3D Blast, Pokemon, The Elder Scrolls V: Skyrim, GTA series, Hitman series, WWE series, Tomb Raider (original games series), Crash Bandicoot 1 & 2, Legacy of Kain series
Comics/Anime/Misc: Not really into much comics or anime, but my fave anime is Death Note.

DC Comics: SOULPIERCER

Apr. 28th, 2026 09:00 pm
lumiosecity: (dc • pretty boy joey)
[personal profile] lumiosecity posting in [community profile] fanmix_monthly
Title: SOULPIERCER
Fandom: DC Comics
Characters/Pairings: Joey Wilson
Notes: Draws from a graceless hodgepodge of every piece of canon I've ever liked regarding Joey as a character. This mix deals with themes of suicidality and body dysmorphia. Tread with caution.


LISTEN ON YOUTUBE.


Track list, lyric selections, and commentary under the cut. )

Eldergoth Nostalgia

Apr. 28th, 2026 05:01 pm
cupcake_goth: (Default)
[personal profile] cupcake_goth
Or to quote Rasputina, "The scene is never what it used to be".

I had a lovely, wistful sort of dream the other night in which [personal profile] solstice_lilac gave me an old compilation tape she had made long ago. (In the dream) I had a full stereo system with a tape deck that magically produced fantastic-quality audio, and I immediately played the tape. It was 120 minutes of gorgeous ethereal swirly goth music. I woke up with the melancholy realization that 1) I couldn't remember any of the bands on the dream tape, and 2) they probably didn't exist in the real world. 

But oh! It was lovely while the dream lasted. 

[ SECRET POST #7053 ]

Apr. 28th, 2026 06:01 pm
case: (Default)
[personal profile] case posting in [community profile] fandomsecrets

⌈ Secret Post #7053 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


01.


More! )


Notes:

Secrets Left to Post: 01 pages, 19 secrets from Secret Submission Post #1007.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 1 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Tuesday word: Avatar

Apr. 28th, 2026 03:18 pm
simplyn2deep: (Hawaii Five 0::Kono::red top)
[personal profile] simplyn2deep posting in [community profile] 1word1day
Tuesday, April 28, 2026

Avatar (noun)
avatar [av-uh-tahr, av-uh-tahr]


noun
1. Hinduism. the descent of a deity to the earth in an incarnate form or some manifest shape; the incarnation of a god.
2. an embodiment or personification, as of a principle, attitude, or view of life: Her complete loss of confidence was particularly unsettling, because generally she is the very avatar of hope.
3. Digital Technology. a static or moving image or other graphic representation that acts as a proxy for a person or is associated with a specific digital account or identity, as on the internet: My friend always chooses warriors as his video game avatars. | Now that spring's here I've switched my Instagram avatar from a stack of books to a robin's egg.
4. Also called avatar mouse,. Also called mouse avatar. a mouse that is implanted with cells or tissue freshly extracted from a human being, as to test drug therapies for an individual patient or to study a disease process: Researchers transplanted samples of the patient’s tumor into specially bred avatars.
5. (in science fiction) a hybrid creature, composed of human and alien DNA and remotely controlled by the mind of a genetically matched human being.

Related Words
apotheosis, archetype, epitome, exemplar, expression, personification, realization, symbol

See more synonyms on Thesaurus.com

Origin: First recorded in 1775–85; from Sanskrit avatāra “a passing down, descent,” from ava “down” + -tāra “a passing over” (akin to Latin trāns “across, beyond, through”; see also through ( def. ))

Example Sentences
The tool has a face and a name: Sky, an AI avatar that appears as a woman with short hair and a blazer in its first iteration.
From Barron's • Apr. 22, 2026

Kendi is an avatar for the battered and bruised fight for racial equality in this country.
From Slate • Apr. 13, 2026

A brainwave interface translating these signals into computer instructions then allowed her to convey which of these movements she wanted her mixed-reality avatar to dance in real-time.
From BBC • Apr. 10, 2026

The movie calls him the Lost Man, a bid for everyman philosophical relevance, and Ninomiya is indeed a sympathetic avatar.
From Los Angeles Times • Apr. 10, 2026

Aech’s avatar was a tall, broad-shouldered Caucasian male with dark hair and brown eyes.
From "Ready Player One: A Novel" by Ernest Cline

Dreamwidth true crime "sideblog"

Apr. 28th, 2026 04:02 pm
lupine_dreaming: (Default)
[personal profile] lupine_dreaming
Hey, y'all! I've made a DW "sideblog" for discussing true crime stuff. It'll be primarily private. You can follow here if you're interested. :)

Nature

Apr. 28th, 2026 04:17 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Positive tipping points could help nature recover faster than expected

The research shows how ecosystems can cross thresholds that trigger rapid recovery, not just collapse.

These shifts, known as positive tipping points, could unlock large-scale ecological restoration.



Environments have a lot of tipping points between stable variations. One I've seen before is a pond cycle. It can be clear with lots of bass and fewer minnows, or murky with lots of minnows and fewer bass. If you're looking for tipping points that aid recovery, consider...

Read more... )
stonepicnicking_okapi: brown sheep (brownsheep)
[personal profile] stonepicnicking_okapi
C is for Cyanide



C is also for card readings. If you are interested in tarot readings (receiving or offering) check out this post https://tarot.dreamwidth.org/16287.html

I got a lovely one from [personal profile] goodbyebird.
[syndicated profile] eff_feed

Posted by Rory Mir

If you want to overthrow Big Tech, you’ll need Section 230. The paradigm shift being built with the Open Social Web can put communities back in control of social media infrastructure, and finally end our dependency on enshitified corporate giants. But while these incumbents can overcome multimillion-dollar lawsuits, the small host revolution could be picked off one by one without the protections offered by 230.

The internet as we know it is built on Section 230, a law from the 90s that generally says internet users are legally responsible for their own speech — not the services hosting their speech. The purpose of 230 was to enable diverse forums for speech online, which defined the early internet. These scattered online communities have since been largely captured by a handful of multi-billion dollar companies that found profit in controlling your voice online. While critics are rightly concerned about this new corporate influence and surveillance, some look to diminishing Section 230 as the nuclear option to regain control. 

The thing is, that would be a huge gift to Big Tech, and detrimental to our best shot at actually undermining corporate and state control of speech online. 

Dethroning Big Tech

We’re fed up with legacy social media trapping us in walled gardens, where the world's biggest companies like Google and Meta call the shots. Our communities, and our voices, are being held hostage as billionaires’ platforms surveil, betray, and censor us. We’re not alone in this frustration, and fortunately, people are collaborating globally to build another way forward: the Open Social Web. 

This new infrastructure puts the public’s interest first by reclaiming the principles of interoperability and decentralization from the early internet. In short, it puts protocols over platforms and lets people own their connections with others. Whether you choose a Fediverse app like Mastodon or an ATmosphere app like Bluesky, your audience and community stay within reach. It’s a vision of social media akin to our lives offline: you decide who to be in touch with and how, and no central authority can threaten to snuff out those connections. It’s social media for humans, not advertisers and authoritarians.

Behind that vision is a beautiful mess of protocols bringing the open social media web to life. Each protocol is a unique language for applications, determining how and where messages are sent. While this means there is great variety to these projects, it also means everyone who spins up a server, develops an app, or otherwise hosts others’ speech has skin in the game when it comes to defending Section 230.

What exactly is Section 230?

Section 230 protects freedom of expression online by protecting US intermediaries that make the internet work. Passed in 1996 to preserve the new bubbling communities online, 230 enshrined important protections for free expression and the ability to block or filter speech you don’t want on your site. One portion is credited as the “26 words that created the internet”:

“No provider or user of an interactive computer service shall be treated as the publisher or speaker of any information provided by another information content provider.” 

In other words, this bipartisan law recognizes that speech online relies on intermediaries — services that deliver messages between users — and holding them potentially liable for any message they deliver would only stifle that speech. Intuitively, when harmful speech occurs, the speaker should be the one held accountable. The effect is that most civil suits against users and services based on others' speech can quickly be dismissed, avoiding the most expensive parts of civil litigation. 

Section 230 was never a license to host anything online, however. It does not protect companies that create illegal or harmful content. Nor does Section 230 protect companies from intellectual property claims. 

What Section 230 has enabled, however, is the freedom and flexibility for online communities to self-organize. Without the specter of one bad actor exposing the host(s) to serious legal threats, intermediaries can moderate how they see fit or even defer to volunteers within these communities.

Why the Open Social Web Needs Section 230

The superpower of decentralized systems like the Fediverse is the ability for thousands of small hosts to each shoulder some of the burdens of hosting. No single site can assert itself as a necessary intermediary for everyone; instead, all must collaborate to ensure messages reach the intended audience. The result is something superior to any one design or mandate. It is an ecosystem that is greater than the sum of its parts, resilient to disruptions, and free to experiment with different approaches to community governance.

The open social web’s kryptonite though, is the liability participants can face as intermediaries. The greater the potential liability, the more interference from powerful interests in the form of legal threats, more monetary costs, and less space for nuance in moderation. And in practice, participants may simply stop hosting to avoid those risks. The end result is only the biggest and most resourced options can survive.

This isn’t just about the hosts in the Open Social Web, like Mastodon instances or Bluesky PDSes. In the U.S., Section 230’s protections extend to internet users when they distribute another person’s speech. For example, Section 230 protects a user who forwards an email with a defamatory statement. On the open social web, that means when you pass along a message to others through sharing, boosting, and quoting, you’re not liable for the other user’s speech. The alternative would be a web where one misclick could open you up to a defamation lawsuit.

Section 230 also applies to the infrastructure stack, too, like Internet service providers, content delivery networks, domain, and hosting providers. Protections even extend to the new experimental infrastructures of decentralized mesh networks.

Beyond the existential risks to the feasibility of indie decentralized projects in the United States, weakening 230 protections would also make services worse. Being able to customize your social media experience from highly curated to totally laissez-faire in the open social web is only possible when the law allows space for private experiments in moderation approaches. The algorithmically driven firehose forced on users by antiquated social media giants is driven by the financial interests of advertisers, and would only be more tightly controlled in a post-230 world.

Defending 230

Laws aimed at changing 230 protections put decentralized projects like the open social web in a uniquely precarious position. That is why we urge lawmakers to take careful consideration of these impacts. It is also why the proponents and builders of a better web must be vigilant defenders of the legal tools that make their work possible. 

The open social web embodies what we are protecting with Section 230. It’s our best chance at building a truly democratic public interest internet, where communities are in control.

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ripplestitch: a close up of a white tealight holder made to look like a rabbit carved out of wood (it's actually made of resin.) the rabbit is holding the candle so it's face is underlit with a warm yellow glow. in the background there are pine needles on the desk. (Default)
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